I came across a new video of a great favourite -- Pergolesi's "Stabat Mater" just recently. It is the best rendition I have heard and I have heard many. See and hear below:
The way the soprano threw herself into it was truly impressive. Never has "pertansivit gladius" been sung with greater passion. Sadly, whoever put the video up gave no information about it. So I had to do a bit of digging to find out all about it. But I did in the end find this:
"Accompanied by the French musical ensemble Les Talens Lyriques, Spanish soprano Sabina Puértolas and American mezzo-soprano Vivica Genaux perform Giovanni Battista Pergolesi’s Stabat Mater. It is composed in 1736, in the final weeks of Pergolesi’s short life (4 January 1710 – 16 March 1736), and scored for soprano and alto soloists, violin I and II, viola and basso continuo (cello and organ). Conductor: Christophe Rousset"
The performance seems to have been in April this year. In Spain, Ms Puértolas is not Spanish. She is Aragonese (from Aragon, ancient Aragon). There is an artistic history of her here, which shows her as a very busy singer -- so she is obviously widely appreciated. I tried to find out some personal history, even trawling through the notices in Italian, but could not find a thing.
I may have to take more notice of Spanish singers. I was greatly impressed by the performance of Evelyn Ramirez Munoz as the divine voice in the premiere version of Falvetti's "Il Diluvio universale". Munoz is a Spanish surname so I assume Ms Munoz is Spanish but you can never be sure these days. Argentinian? See below:
I note that there is another rendering of the Falvetti just out and she seems to have grabbed her old role in the latest version as well. See below. She is the lady in black.
I guess that by Northern European standards she over-acts but in singing a work from Sicily, what the hell?